By Elizabeth Millán
regardless of the various philosophies of the individuals, those essays jointly represent a powerful case opposed to the dangerous impression of avant-gardism on our lives and aesthetic tradition. The essays comprise the subsequent, between others: a learn of anti-modernist painter unusual Nerdrum, who sees modernist artwork as totalitarian; a critique of the avant-gardist forget of mimesis as a key to paintings; an review of the finish of art”; a critique of contemporary artwork in gentle of the aesthetic damage principle”; an exam of Popper's objections to progressivism in track; the presentation of a brand new paradigm for literature.
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After the Avant-Gardes by Elizabeth Millán